Performance
With Prahlad Singh Tipaniya Ji and troupe
Travel, ensemble performance, learning, and sustained proximity to a living musical tradition across a 50-plus-show tour in 2024.
Our work
Preservation
through participation.
The work is not divided into culture on one side and contemplative practice on the other. Song, meaning, body, attention, relationship, and place remain connected.
A record of practice
What has been done
Completed work is shown fully and in its proper context. Aspirations do not appear here as achievements.
50+Performances during Priyal’s 2024 tour with Prahlad Singh Tipaniya Ji and troupe
14Shows on Priyal’s April 2026 solo United States tour
5Naad Brahma retreats organized with Prahlad Singh Tipaniya Ji
India + USConcerts, workshops, learning spaces, and community encounters
The 2024 ensemble tour belongs to Priyal’s artist history and is credited as such; it is not presented as a Living Songs production.
See this chapter →
Performance
Solo journeys in India and the United States
Priyal’s own singing, translation, context-setting, and contemplative approach, including a 14-show U.S. tour in April 2026.
Participation
Retreats and workshops
Bhajans learned directly, English meanings shared, and music held together with yoga, meditation, silence, and community.
Education
Universities and children
Performance, classroom conversation, participatory singing, philosophical inquiry, yoga, and attentive work across generations.
Preservation
Translation and documentation
English translations of Kabir bhajans and a contextual record of songs, performances, teaching, travel, people, and place.
“Traditions survive by being practiced, sung, taught, translated, and lived.”Founder’s Handbook · Preservation through participation